Thomas Faed RSA (United Kingdom, 1826-1900)
Oil on Canvas
19 x 26 in.
Thomas Faed RSA (1826–1900) was a celebrated Scottish painter renowned for his contributions to Scottish art, often compared to the cultural impact of Robert Burns on Scottish song. Born on June 8, 1826, at Barlay Mill in Gatehouse of Fleet, Kirkcudbrightshire, Thomas Faed hailed from a family deeply embedded in the arts, being the brother of notable artists James Faed, John Faed, and Susan Faed.
Faed received his artistic education at the School of Design in Edinburgh, where he honed his skills before being elected as an associate of the Royal Scottish Academy in 1849. His talent and dedication to his craft were quickly recognized, leading him to London in 1852. There, he continued to excel, becoming an associate of the Royal Academy in 1861 and eventually an academician in 1864. Faed retired from his illustrious career in 1893 after leaving an indelible mark on the art world.
Throughout his career, Faed garnered much acclaim for his depictions of domestic scenes, showcasing his remarkable ability to capture everyday life with exquisite detail and emotion. Notable works include "The Silken Gown," "Faults on Both Sides," "The Highland Mother," "Highland Mary," and "The Reaper," among others. "The Last of the Clan," completed in 1865, stands as one of his most renowned pieces, housed in the Kelvingrove Gallery in Glasgow. His artistry extended beyond mere portrayal, as he demonstrated considerable executive capacity in executing his works.
During his time in Edinburgh, Faed was an active member of the Edinburgh Smashers Club, alongside esteemed individuals like William Fettes Douglas. His legacy lives on through his masterful creations, which continue to be celebrated and admired in galleries such as the Tate Gallery and the Aberdeen Art Gallery.
Thomas Faed's remarkable journey came to an end on August 17, 1900, in London. Though he may have departed this world, his artistic legacy remains an enduring testament to his talent, dedication, and profound influence on Scottish art.
